I had the great opportunity to see Toy Story 3 a few weeks before it came out over at the studio, and then again on opening night with some of the great folks from AM and Pixar. I’m hoping by now all of you have seen it, but I’ll still keep it mainly spoiler free. =)
Pixar upped their game for this one. I would definitely say it’s one of the most intense film they’ve done so far. It had me almost rolling on the floor laughing at time, on the edge of my seat nervously biting my lip at others, and yes, tearing up at other parts. It’s the real deal. And I dare say it’s up there for best film of the year outside of the animation category.
It was a powerful situation to be in — the built up excitement for this film spans across ages: people my parents’ age who took their kids to see the first two films, young kids today who are excited for a new animated film, and of course, people my age who grew up with Andy and the toys.
When the first Toy Story came out I was 11 years old. So seeing this film tugged at my heartstrings in all sorts of ways, pulling me back to my childhood and the memories I have of those characters.
And the STORY. Oh man, the story is incredible. I love when you get pulled in and you’re not analyzing the animation, you’re not being distracted by side elements, but you’re feeling the emotions of the characters. Pixar is genius at storytelling and there’s no doubt they have a winner with this one.
And this is the kind of stuff that reminds us why we want to be animators — being a part of a team to create something that connects with people. To make people laugh, gasp, cry, and smile. You cannot walk out of this film without feeling good. I’ve been walking around my apartment today singing You’ve Got A Friend In Me.
As a side note, aside from the updates on facebook from fellow animators who love the film, I love seeing updates from non-animation friends and family who are going nuts over Toy Story 3. That’s gold.
I love that they kept the true characters with Bullseye’s crazy floppy run and the contrast of Buzz and Woody’s movement. And the addition of new characters was great — seeing how they developed character specific movements for each. A few new ones to watch out for that I loved:
Ken
Spanish mode Buzz
A certain version of Mr. Potato Head (cleverly drawn in one of the post its by Aaron Hartline…)
They’re amazingly well done and I love how each works well together but has their own completely unique style. They really put the effort into the character of the characters. That’s not often done on such of a large scale, and was great to see.
They stayed true to the original films but pushed the boundaries x1000. Well done Pixar. This is what it’s about.